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A candid, funny, and occasionally devastating memoir of a woman making her way through the food world, navigating addiction, a cultural reckoning, and an unexpected tragedy

In this moving, hilarious, and insightful memoir, Laurie Woolever traces her path from a small-town childhood to working at revered restaurants and food publications, alternately bolstered and overshadowed by two of the most powerful men in the business. But there's more to the story than the two bold-faced names on her resume: Mario Batali and Anthony Bourdain.

Behind the scenes, Laurie's life is frequently chaotic, an often pleasurable buffet of bad decisions at which she frequently overstays her welcome. Acerbic and wryly self-deprecating, Laurie attempts to carve her own space as a woman in this world that is by turns toxic and intoxicating. Laurie seeks to try it all--from a seedy Atlantic City strip club to the Park Hyatt Tokyo, from a hippie vegetarian co-op to the legendary El Bulli--while balancing her consuming work with her sometimes ambivalent relationship to marriage and motherhood.

As the food world careens toward an overdue reckoning and Laurie's mentors face their own high-profile descents, she is confronted with the questions of where she belongs and how to hold on to the parts of her life's work that she truly values: care and feeding.

When Dylan Mulvaney came out as a woman online, she was a viral sensation almost overnight, emerging as a trailblazing voice on social media. Dylan’s personal coming-out story blossomed into a platform for advocacy and empowerment for trans people all over the world.

Through her “Days of Girlhood” series, she connected with followers by exploring what it means to be a girl, from experimenting with makeup to story times to spilling the tea about laser hair removal, while never shying away from discussing the transphobia she faced online. Nevertheless, she was determined to be a beacon of positivity.

But shortly after she celebrated day 365 of being a girl, it all came screeching to a halt when an innocuous post sparked a media firestorm and right-wing backlash she couldn’t have expected. Despite the vitriolic press and relentless paparazzi, Dylan was determined to remain loud and proud.

In Paper Doll: Notes from a Late Bloomer, Dylan pulls back the curtain of her “It Girl” lifestyle with a witty and intimate reflection of her life pre- and post-transition. She covers everything from her first big break in theater to the first time her dad recognized her as a girl to how she handled scandals, cancellations, and . . . tucking. It’s both laugh-out-loud funny and powerfully honest—and is a love letter to everyone who stands up for queer joy.

In the tradition of classic collections of observations and musings such as Christopher Isherwood’s I Am a Camera and Truman Capote’s The Dogs Bark, Waiting on the Moon is a treasure trove of vignettes from a legendary musical figure whose career spans more than six decades and is still going strong.
 
Peter Wolf grew up in the Bronx, a child of “fellow travelers” whose artistic inclinations influenced both his love of music and his initial desire to become a painter. Stories of his loving and sometimes eccentric parents complement scenes depicting a very young Bob Dylan as he arrived on the Greenwich Village folk scene. Reflections on Wolf’s studies in Boston—where he shared an apartment with David Lynch—are braided with accounts of first love, an untraditional literary education, and early musical influences such as Muddy Waters.
 
After Wolf joined the J. Geils Band as their front man and his musical fame grew, he rubbed shoulders with other notables who left significant impressions on him, including members of the Rolling Stones, Sly Stone, Tennessee Williams, Alfred Hitchcock, and Van Morrison. Wolf’s marriage to Faye Dunaway is presented in a clear yet balanced and nuanced light.
 
Told with gentle humor and often heart-rending poignancy, the word portraits in Waiting on the Moon provide a revealing glimpse of artists, writers, actors, and musicians as they work—the creative forces that drive them to achievement; the demons they battle; the patterns of their human relationships. They are meant to inspire not only empathy but also admiration. Like Isherwood, Wolf remains “a camera with its shutter open.”
 

An explosive memoir charting one woman’s career at the heart of one of the most influential companies on the planet, Careless People gives you a front-row seat to Facebook, the decisions that have shaped world events in recent decades, and the people who made them.

From trips on private jets and encounters with world leaders to shocking accounts of misogyny and double standards behind the scenes, this searing memoir exposes both the personal and the political fallout when unfettered power and a rotten company culture take hold. In a gripping and often absurd narrative where a few people carelessly hold the world in their hands, this eye-opening memoir reveals what really goes on among the global elite.

Sarah Wynn-Williams tells the wrenching but fun story of Facebook, mapping its rise from stumbling encounters with juntas to Mark Zuckerberg’s reaction when he learned of Facebook’s role in Trump’s election. She experiences the challenges and humiliations of working motherhood within a pressure cooker of a workplace, all while Sheryl Sandberg urges her and others to “lean in.”

Careless People is a deeply personal account of why and how things have gone so horribly wrong in the past decade—told in a sharp, candid, and utterly disarming voice. A deep, unflinching look at the role that social media has assumed in our lives, Careless People reveals the truth about the leaders of Facebook: how the more power they grasp, the less responsible they become and the consequences this has for all of us.

New Achievement! Total, Utter Failure.
You failed a quest less than five minutes after you received it. Now that’s talent.

Surviving in a multilevel dungeon that also happens to be the set of the galaxy’s most watched game show has taught Coast Guard vet Carl and his ex-girlfriend’s cat, Princess Donut, that there’s only one thing they can count on apart from each other: they never know what’s coming next. And this floor is no exception.

A floating fortress occupied by warrior gnomes. A castle made of sand. A derelict submarine guarded by malfunctioning machines. A haunted crypt surrounded by lethal traps.

It was supposed to be easy. One bubble. Four castles. Fifteen days. Capture each one, and the stairwell is unlocked. Here's the thing. It's never easy. Going it alone is not an option this time, so Carl and his team must rely on the help of the low-level, I-can't-believe-these-idiots-are-still-alive crawlers trapped in the bubble with them. But can they be trusted?

Welcome, Crawlers. Welcome to the fifth floor of the dungeon.
 

The war has begun. Both sides demand Diem’s allegiance—or her death.

After her disastrous coronation, Diem finds herself at the center of the conflict between the Descended and the Guardians. With her newfound friends and the man she’s falling for on one side, and the mortals she has vowed to protect on the other, Diem must walk a careful line to save the people she loves…even from one another.

When the mystery of her unusual heritage begins to unravel, it sends Diem and Luther on an unexpected journey across the realms. The answers they seek may hold the key to winning the war, but finding them will require Diem to face painful truths about her mother, her bloodline, and her fate.

Meanwhile, the Crowns have set Diem in their sights. Some could be her greatest allies—while others want her dead. To end their oppressive reign, Diem must sort friend from foe and risk it all to build an army of her own.

But a powerful figure in the north has plans that could change everything…

This collectible hardcover edition includes an exclusive bonus chapter from Luther’s point of view.

Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it and slept in your house for hours on end and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality.

In February 2021, Dalton stumbles upon a newborn hare—a leveret—that had been chased by a dog. Fearing for its life, she brings it home, only to discover how impossible it is to rear a wild hare, most of whom perish in captivity from either shock or starvation. Through trial and error, she learns to feed and care for the leveret with every intention of returning it to the wilderness. Instead, it becomes her constant companion, wandering the fields and woods at night and returning to Dalton’s house by day. Though Dalton feared that the hare would be preyed upon by foxes, stoats, feral cats, raptors, and even people, she never tried to restrict it to the house. Each time the hare leaves, Chloe knows she may never see it again. Yet she also understands that to confine it would be its own kind of death.

Raising Hare chronicles their journey together, while also taking a deep dive into the lives and nature of hares, and the way they have been viewed historically in art, literature, and folklore. We witness first-hand the joy at this extraordinary relationship between human and animal, which serves as a reminder that the best things, and most beautiful experiences, arise when we least expect them.

Long before the Moneyball-era, the Earl of Baltimore reigned over baseball. History’s feistiest and most colorful manager, Earl Weaver transformed the sport by collecting and analyzing data in visionary ways, ultimately winning more games than anybody else during his time running the Orioles from 1968–1982.

When Weaver was hired by the Orioles, managers were still seen as coaches and inspirational leaders, more teachers of the game than strategists. Weaver invented new ways of building baseball teams, prioritizing on-base average, elite defense, and strike throwing. Weaver was the first manager to use a modern radar gun, and he pioneered the use of analytical data. By moving 6’4” Cal Ripken, Jr. to shortstop, Weaver paved the way for a generation of plus-sized superstar shortstops, including Alex Rodriguez and Derek Jeter. He foreshadowed almost everything that Bill James, Billy Beane, Theo Epstein, and hundreds of other big brain baseball types would later present as innovation.

Beyond being a great baseball mind, Weaver was a rare baseball character. Major League Baseball is show business, and Weaver understood how much of his job was entertainment. Weaver’s outbursts offered players cathartic relief from their own frustration, signaled his concern for the team, and fired up fans. In his frequent arguments with umpires, he hammed it up for the crowds, faked heart attacks, ripped bases out of the ground, and pretended to toss umpires out of the game. Weaver also fought with his players, especially Jim Palmer, but that creative tension contributed to a stunning success, and a hilarious clubhouse. During his tenure as major league manager, the Orioles won the American League pennant in 1969, 1970, 1971, and 1979, each time winning over 100 games.

The Last Manager uncovers the story of Weaver’s St. Louis childhood with a mobster uncle, his years of minor league heartbreak, and his unlikely road to becoming a big league manager, while tracing the evolution of the game from the old-time baseball of cross-country trains and “desk contracts” to the modern era of free agency, video analysis, and powerful player agents. Weaver’s career is a critical juncture in baseball history. He was the only manager to hold a job during the five years leading up to, and five years after, free agency upended baseball in 1976.

Weaver was inducted into the Baseball Hall of Fame in 1996. In his retirement, he even admitted that “if he had been an umpire, he would have thrown himself out of more games than he actually was.” Belligerent, genius, infamous—The Last Manager tells the story of one man who left his mark on the game for generations.

Andy Samberg in a giant martini glass. Billie Eilish peeking out of a pile of snow. Kevin Hart writing his own cue cards. Paul Rudd as Paul McCartney. Sarah Silverman dusting the NBC marquee. Alec Baldwin as the Godfather.

These are just a few examples of Matthews's bold, dynamic, and playful celebrity portraits that for over two decades have artfully highlighted the hosts and musical guests who help bring the show to life.

Week after week, photographer Mary Ellen Matthews makes magic happen on Saturday Night Live with her inventive, irreverent, and truly original photography for the “bumpers”—portraits of the host or musical guest that transition the show to and from commercial breaks.

Published on the occasion of the 50th anniversary of SNL and exquisitely designed by Pentagram, this book is the first collection of Mary Ellen’s remarkable body of work as well as a celebration of America’s longest-running comedy TV show.

Includes:
* More than 200 color portraits and behind-the-scenes photographs
* A foreword by SNL founder and executive producer Lorne Michaels
* Mary Ellen Matthews in conversation
* A thumbnail index of all the images with captions by the photographer

How do we live compassionately in a time of violence and despair? What can we do with our private disappointments and the anger we feel in such an unjust world? In his most personal book yet, Richard Rohr turns to the writings of the Jewish prophets, revealing how some of the lesser-read books of the Bible offer us a crucial path forward today.

The prophets’ writings reflect the full spectrum of human maturity. In almost every case, their initial rage and their accusatory words evolve into a profound pathos and lamentation about our shared human condition and the world’s suffering. Through astute critiques of culture and institutions, and their journey from anger to sadness, and ultimately compassion, the prophets exemplify what Rohr calls “sacred criticism”—a distinct approach to confronting evil and injustice that acknowledges the wholeness of history, the interconnectedness of every living being, and the reality of a divine and universal love. In this, they set the stage for Jesus, who follows this identical pattern.

Drawing on a century of biblical scholarship and written in the warm, pastoral voice that has endeared Rohr to millions, The Tears of Things breathes new life into ancient wisdom. It paves a path of enlightenment for anyone seeking a compassionate way of living in a hurting world.